select essays
"Intimate Remoteness: A Digital Reading of Berndnaut Smilde's Nimbus 2," in The Low Countries, 2019
“A Whispering Mass: Cloud Sculptures, Anxiety and Presence," in Entropy, 2019
"The Artist as Amateur," Sluice__Magazine, 2017
"Miniscule Bites: Narratives of Appetite in Gordon Matta Clark," Sluice__Magazine, 2017
“Touching Blue: A Furred Reading of Carol Mavor's ‘Black and Blue,’” Sluice__Magazine, 2016
"Feeling Blind: Fur, Fetishism and Intimacy in Feminist Avant-Garde Art," Goldsmiths University of London, 2015
"Chemical Flesh and Paper Bones: Essays on Photography," nY Magazine, 2012
select reviews
"Vija Celmins, To Fix the Image in Memory," in thisistomorrow, 2019
"Tara Donovan, Fieldwork" in thisistomorrow, 2018
"Yto Barrada, Agadir" in thisistomorrow, 2018
"Kaye Donachie, Silent as Glass" in thisistomorrow, 2018
"Lydia Ourahmane, The You in Us"in thisistomorrow, 2018
"Kate Spence: Liminal States," Sluice__Magazine, 2017
select fiction
"Biting," forthcoming in Flash: The International Short-Short Story Magazine, 2019
select essays
"Intimate Remoteness: A Digital Reading of Berndnaut Smilde's Nimbus 2," in The Low Countries, 2019
“A Whispering Mass: Cloud Sculptures, Anxiety and Presence," in Entropy, 2019
"The Artist as Amateur," Sluice__Magazine, 2017
"Miniscule Bites: Narratives of Appetite in Gordon Matta Clark," Sluice__Magazine, 2017
“Touching Blue: A Furred Reading of Carol Mavor's ‘Black and Blue,’” Sluice__Magazine, 2016
"Feeling Blind: Fur, Fetishism and Intimacy in Feminist Avant-Garde Art," Goldsmiths University of London, 2015
"Chemical Flesh and Paper Bones: Essays on Photography," nY Magazine, 2012
select reviews
"Vija Celmins, To Fix the Image in Memory," in thisistomorrow, 2019
"Tara Donovan, Fieldwork" in thisistomorrow, 2018
"Yto Barrada, Agadir" in thisistomorrow, 2018
"Kaye Donachie, Silent as Glass" in thisistomorrow, 2018
"Lydia Ourahmane, The You in Us"in thisistomorrow, 2018
"Kate Spence: Liminal States," Sluice__Magazine, 2017
select fiction
"Biting," forthcoming in Flash: The International Short-Short Story Magazine, 2019
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Image: Vija Celmins, Suspended Plane, 1966; oil on canvas. Copyright Vija Celmins; photo: courtesy Matthew Marks Gallery
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